Thursday, January 19, 2017; Roughly 360 Hours to go per Subject this Year
Everyday Saints and Other Stories by Archimandrite Tikhon –
Report: 42 pages read.
Reflection: I find many people, Orthodox or not, have a misconception about monastics and the lives they lead. Often they think that monastics lead unhappy, dreary lives. Since their existence looks so different from the rest of the world’s, and they do give up so much, I find it hard to explain to people that the aforementioned belief is inaccurate. That’s why I was so excited to come across this interchange in the book, “Once a group of tourists-faithful Soviet believers of Communism-stopped Father Alipius by the threshold of one of the churches. In indignant tones they demanded that he tell them the whole truth about the exploitation by high-level clerics of the simple monks and novices, about their physical humiliations, and in general tell them everything about all the horrors of monastic life about which they had already read plenty of newspaper articles. In response to their question, Father Alipius only answered mildly; ‘Can you hear?’
‘Can we hear what?’
‘Can you hear anything at all?’
‘Yeah. A bunch of monks singing…’
‘Exactly! Now do you really think that, if they were actually so miserable in their lives, they would sing with such obvious joy?’”
It’s funny, people, myself included, after a long day of hard physical labor, eating sparingly/healthily, engage in deep self-reflection, and/or intense acts of charity, etc., will often make remarks about how happy they feel. How much better their outlook on life is. How light their heart has become. How the depression, the anxiety, and the inundation of thoughts have ceased; yet, when they see people, i.e. monastics, living that way every day, they feel pity for them, or wonder about their mental state.
But if any person can feel better through these works, how much more so if you have intentionally done them in God’s name? Will it not change you all the more? Will it not lift and elevate all the more?
The truth is that the acts themselves can make us feel momentarily better, but it is when we connect these actions to God, that we see real change in ourselves. A true elevation.
If a person came to their friend and told them that they wanted to try one or more of these actions because they have heard that it promotes mental/physical health and boosts the spirit, the friend would encourage them to, by all means, do it! But when a person comes to their friend and says they want to be a monastic…the response is utterly different. Why?
I think it’s because God changes people. And if that person becomes changed, then we, as their friend, have that much more exposure to God, and we don’t want that. We don’t want to know what we don’t know. And we are afraid. We can’t imagine that our hearts could experience any more happiness than the most happiness we’ve seen on this Earth. And that is the lie that we tell ourselves.
But they can, and Godly people prove that. The Bible says that faith without works is dead; that’s because the works themselves open us up to God (because the works themselves are imbued with love, and God is Love. When we show others love, unearthly sacrificial love, and we have love shown to us, we experience God), and when we then choose to continue those works in His name, that is what changes us entirely; because we let God in. So we see that we can believe all of the right and true things, but if we don’t do the works, then, at the very least, we have cut a part of ourselves off from God, if not all of ourselves.
Earthly happiness is not inherently evil or wrong, but it is not the happiest we can be. The happiest we can be is when we are wholly filled with unearthly love. And monastics are simply people, like you and I, who have chosen to dedicate their entire lives, purely, to that unearthly love, that ethereal happiness.
Doesn’t sound so crazy or depressing now, does it?
I’m so happy that I’m reading this book. It is such an inspiration, full of wisdom. I often have a hard time accepting the advice of other people because I worry that it’s tainted by their pain. I see in my own life, as well as in others, decisions made that were “logical”, but only because the decider insisted upon “sanctioning” their pain and forcing their world view to accommodate it. I don’t feel that when reading this book. And I’m hoping that I will one day be able to view God and His will for us from such an emotionally healthy stand point.
The following is a quote from the book (Father Alipius is speaking about his path to monasticism), I feel the second part illustrates the truth of what a human being actually is beautifully: “…Imagine the German tanks charging our front lines, their machine guns firing, cannon shells blazing, just cutting us down, sweeping away almost everyone in their path, and suddenly in the midst of this utter hell I saw how our battlefield commissar tore off his helmet, even as the bullets were flying around him, and fell to his knees, and began to pray…yes, indeed, somehow this ‘Communist’ was able to mutter the half-forgotten words of the prayers he used to know as a child, begging the Almighty to spare us. And He did. That’s when I realized: God lives inside of all of us, and one day He will make His appearance to us, some way or other…”
Whether we choose to believe the Truth or not, it doesn’t change. The Truth doesn’t need us, we need the Truth. And no matter what wicked choices we make, no matter how often or violently we turn our backs on God, we can’t escape the fact that He is a part of us; that’s what was meant in Genesis when it said He breathed life into us. There is no person on this earth who is without God. They may distance themselves, and cast themselves into turmoil, but they can’t escape that they have an immortal soul.
And if we could just fill ourselves with enough unearthly love, we could see each other the way that God sees us, and we would see at least a tiny piece of Him in everyone.
“’Love,’ said the Great Abbot, ‘is the very highest form of prayer. If prayer is the queen of the virtues, then Christian love is God, for God is love. If you just look at the world only through the prism of love, all your problems will disappear, and within yourself you will see the kingdom of Heaven, within the human being you will find the Icon, and within the earthly beauty you will see the shade of Paradise. You may object to me that it is impossible to love your enemies. But remember what Jesus Christ told us: ‘Whatever you have done unto the least of these my brethren, you have done it unto me…’ Inscribe these words in golden letter upon the tablets of your heart, and inscribe them and hang them together with an icon, and read them to yourself every day.’”
He isn’t preaching the prosperity Gospel. He’s not saying that if you are a Christian your life will be a success from the World’s viewpoint. What I believe he means, is that the more unearthly love that you are filled with, the more changed you are by God, the more you will see your problems as what they really are, meaningless. Our problems on this Earth are insignificant. We should strive to be so full of love that we could go even through torture, and still stay focused on God.
That’s what joy is. Joy is seeing every trial on this earth as passing. Every slight, every inconvenience, they are fleeting. And once we see this world through God’s eyes, suddenly earthly success or failure is irrelevant. What matters is that we are filled to the brim with God, and that we are reflecting that back on everyone we know.
God is love, which means God is relational. Which means that if you die having lived a “boring” or “sad” life, penniless and uneducated, but you showed true, Godly love to everyone, then you have lived a successful life.
“How easy it is to live with You, O Lord!
How easy it is to believe in You.
When my spirit sinks
or scatters in confusion,
and the very smartest people
cannot see further than this evening,
and do not know what to do tomorrow,
You send down clear certainty to me that You exist and that You care,
and will ensure that not all the paths of goodness will be blocked.
On the peak of earthly glory
I look back in surprise on the path I have taken
which I would never have been able to invent for myself,
an incredible path
from which I was yet able
to send humanity a reflection of Your rays of light.
And for as long as it is necessary that I keep reflecting them,
You will let me do so.
And what I do not finish–well then,
You have assigned others the task.”
I think it is of the utmost importance that human beings remember that they have God-given freewill; but that doesn’t mean we get to do whatever we like with our lives without consequence. It means that we are not forced into a relationship with God, but rather have the opportunity to choose it. As human beings we feel the need to have relationships with each other where both parties involved are willing participants. That’s what God wants for us. He didn’t have to make us with free-will, but He did, I think because He didn’t want to force us into a relationship with Him. He wants to know He’s chosen.
I want to end this entry with another quote from the book. It answers the question of what this Earthly life is for.
“The ancient evil that always dwells within us will always haunt us, and will never quit trying to steal in upon us in order to accomplish the Devil’s main goal – to steal our soul. Only ceaseless courageous battle with evil, solely for the remarkable goal that is incomprehensible to many – the purity of our soul – will justify us before God. But if Christ does not see this struggle within us, He turns away from us, from that priest, monk, or layperson who has turned from Him, leaving him alone with what he has chosen for himself. And that choice is the same as it always was – insatiable pride and desire for the pleasures of this world. As time passes, sooner or later these passions will subvert or even pervert someone who has forgotten about God. Then these passions reveal their true horrible dangers.
Then the Sea of Galilee will rise up, and from its abyss the enraged swine who were drowned long ago will race ashore and hurl themselves on the unfortunate who thought there could be any compromise between them and God. When the evil spirit leaves the man, it wanders through the arid places, seeking rest but not finding it. And then it says: ‘I will come home to the place from which I left.’ And if it comes back and fins the place empty, swept out and neat, ready for visitors. Then it will go and get seven other demons, even more evil than it is, and when they come there, the evil will be worse than before.”
I know it can feel like that isn’t a choice at all…I feel that way quite often. But the truth is that our lives are filled with options, most of them unpleasant, and so we don’t choose them; but that doesn’t change what they are, options.
Antiquing for Dummies by Ron Zoglin & Deborah Shouse
Report: 22 pages in the hour.
Reflection: In antiquing there are no absolutes. What I mean by that, in this case, is, not only is an item’s value subjective, but how that value is even determined is as well. For example, one item of a particular type might be considered valuable because it is in pristine condition, but another item of a different type is valuable for the opposite reason.
In the book I come across this when they are talking about an antique and they say that the factory rejects are worth more than even those in pristine condition, purely because they are rare. But, as we know, just because an item is rare, doesn’t universally make it valuable.
During my reading this week I learned about 19th century, decorative plates. It seems that during this time, scenes of “Americana” were very desirable. So pottery companies began putting them on their products. So in demand were these plates, that even British pottery companies began making them.
The funny thing is that these potters, not being experts on “Americana”, “…frequently made mistakes in depicting American heritage. Historical figures are sometimes misidentified…” And wouldn’t you know it? Those “misidentified” pieces are the most desirable today.
So what’s the distinction? Where is that line between valuable and devaluing mistake? I think the pattern that I’m seeing during my reading, is that mistakes that were made by the original manufacturer are often desirable, and those made elsewhere are undesirable. That may sound like a really obvious distinction, but when you consider that not every factory reject is valuable, you can begin understand my confusion.
The following are some tips on “Spotting a pot: How to look at Art Pottery
Shape. Know the types of shapes your manufacturer created.
Glaze. Glaze is a melted mineral mixture that can produce a glass-like substance or can be opaque or textured. If the glaze doesn’t melt, the piece can feel sandy or rough to the touch. You might see places where oil or grease on the pot caused the glaze to miss a spot. Many companies marked these glazed goofs as seconds.
Mold. When you assess a piece of production-line pottery,, remember that they made hundreds of pots from one mold. There is a marked difference between the first pot and the hundredth pot from the mold. Sometimes on the later pots from the mold, the detail is soft around the edges. Crisp detail is more desirable.
Authenticity. At some Art Pottery shows, you see a display of fakes versus the real thing. Study the real and the fake. With Art Pottery, the differences are sometimes subtle. A mark or signature is no guarantee of authenticity because these too can be copied.
Condition. Look for signs of repair. Watch for hairline cracks. If the dealer says he has found no signs of repair, ask for a written guarantee stating he is selling the piece as perfect. If he says, ‘There is not guarantee,’ use your best judgment. Flaking or chipping also reduces the value.”
Until I started reading this book I never had even an inkling that there was more to antiques than their own value. I always thought that antiques were valuable because they had better craftsmanship and were no longer being made the same way today as they were originally, if they are being reproduced at all. But that isn’t the case. There are antiques that have value because of the part of history they preserve. And by that I’m talking about more than just the appearance of the object (i.e. I don’t just mean that a given piece shows what people found aesthetically pleasing at the time; nor what bygone necessities it met); indeed, I’m even talking about more than who originally owned the antique.
There are antiques that preserve a special memory; a very human and touching piece of the past that connects us all. The following are two separate passages from the book that discuss some of the items I’m talking about, and they will illustrate what I mean.
“From about 1885 to 1925, ladies circles painted porcelain planks from many factories. Similar to those shops today where you choose a ceramic piece to decorate, ladies circles were often art classes where women learned the art of painting on ceramics. You can still find these plates, boxes, vases, and other pieces. Some of them look quite amateurish; some are very well-done. Some of the ladies signed their pieces; others will probably remain forever anonymous. The subject matter usually hovers around roses, violets, and poppies – the less complex flowers. Look for signs of these women’s work at shows, auctions, and of course, in your own family’s attic or basement. And note, china painting enjoyed a resurgence in the mid-20th century.”
“You’ve seen the scene in the movies: patients in various types of recovery programs sitting around doing arts and crafts. Marblehead Pottery was born at one of those therapeutic institutions. Patients were to decorate pottery as part of their rehabilitation and healing. Although this was the initial inspiration, early on, the potter Arthur Baggs took over the studio and turned it into a professional plant.
Marblehead focused on making simple shapes, such as vases and jardinieres with gray, brown, blue, green, pink, and yellow glazes. Marblehead products are hand thrown except for tiles and some pitchers, which were molded. Incised geometric, floral, or marine motifs decorate about five percent of Marblehead’s ware. A deep blue is the most common color, and prices go up for unusual colors. You can find small and simple Marblehead pieces in the low hundreds of dollars.”
How cool is it to think that you could own something that not only has intrinsic value because of its age, quality, and aesthetic, but also because of its meaning to the maker? Each piece made in a Ladies Circle meant something special to the woman making it. It meant a chance to not only stretch her artistic muscles, but to also have encouragement/inspiration from and comradery with other women of like minds. Similarly, each of the very first pieces to be later labeled Marblehead, represent a very special piece of their creators, and a precious snapshot of a formative time in their life. It was a conduit and a symbol of the patient’s healing, a picture of a mind or body on the mend. How wonderful to be able to hold dear something that someone generations before held precious as well.
Ever wondered how to be discerning when looking at old silver? I want to end this entry with a few pointers from the book: “Has it been repaired? Look at handles to make sure that they are not damaged or broken. Look at places that can easily break off, such as finials (a finial is the ornamental knob on top of a lid). Look at the feet. Sometimes people plunk down a piece too hard and that presses the feet in.
Is it dented or pitted? With sterling, a silversmith can usually polish out and repair dents and pits. Silver plate is harder to repair, and sometimes requires resilvering. Resilvering can be costly. Avoid silver plate with deep cuts. Watch out for plated pieces with pits, which are small holes that look like black dots and feel rough to the touch. The cost of replating can be greater than the value of the piece. If silver is black, or the tarnish is very deep, sometimes discoloration has ‘eaten into’ the silver Avoid these pieces unless an expert says you can totally remove the tarnish.
Is it genuine? Fakers can transfer an important hallmark from a broken silver piece and put it on a less valuable piece that’s in good condition. Or they replace a mark on a great piece whose mark is degraded. Fakers can cut a hallmarked bottom out of one object and apply it to another piece, to make that piece more valuable. On pairs, such as candlesticks, make sure that both marks are the same.
Breathe hard on the hallmarks if you’re having doubts that they are original to the piece. If someone has added hallmarks to make the piece seem more valuable, you should see the hallmarks’ outline.
Is it monogrammed? If so, are the initials the same as yours? If not, do you like them? Many collectors prefer their silver in its original condition and keep the monogram. Depending on the depth and location of the monogram, its removal can really downgrade the piece because the silversmith has to buff away some of the silver. If you want to remove the monogram and don’t know whether that will cause problems, ask if you can take the piece on approval to a silversmith to analyze it.
Does the type of decoration make sense with the purported age of the piece? You can often place the piece in a general time period by analyzing the types of decoration. Sometimes a plain piece of silver is decorated at a much later date.”
The Psychology of the Child by Jean Piaget and Barbel Inhelder –
Report: 30 pages in the hour.
Reflection: While I was reading Piaget’s research and theories about Causality and Chance, I was struck by the genius of his methods. The following is the excerpt that struck me so:
“After three or thereabouts, the child begins asking himself and those around him questions, of which the most frequently noticed are the ‘why’ questions. By studying what the child asks ‘why’ about one can begin to see what kind of answers or solutions the child expects to receive. It is obviously necessary to use the same or similar questions to interrogate other children.”
The part that fascinated me so, was the last sentence. I’m not sure it would have occurred to me to ask my children questions in the same fashion/verbal structure as they do. It makes perfect sense, as the child will then both understand your meaning more clearly, as well feel better understood by their parents, and thus more secure.
Then, too, I wouldn’t have thought to reflect the question back to my child. But to do so would be so helpful in parenting. Not only would it help you answer (because you will have ascertained exactly what answer is required and what depth of answer), but the child’s answer would tell you what level of understanding they already have about a given or related subject, what level of logic or reason they have reached, as well as explain other things they have said/done or will say/do that you otherwise may have been completely baffled by and respond(ed) poorly to.
I know that as a parent it is always important to ask your child why they did or said something the way they did before deciding upon your response, but I hadn’t thought of asking questions in this fashion or area of communication.
Once again good parenting comes down to humility. The humility to not assume anything bad about your child, but to ask questions; which, once answered, shows you their true motives and thus, their heart.
Friday, January 20, 2017; Roughly 359 Hours to go per Subject this Year
Everyday Saints and Other Stories by Archimandrite Tikhon –
Report: 33 pages read in the hour.
Reflection: The Tale of the prayer and the Little Fox: In Egypt, in whose ancient Christian past there had once been many grand monasteries, there once lived a monk who befriended an uneducated and simple peasant farmer. One day this peasant said to the monk, ‘I too respect God who created this world! Every evening I pour out a bowl of goat’s milk and leave it out under a palm tree. In the evening God comes and drinks up my milk! He’s very fond of it! There’s never once been a time when even a drop of milk is left in the bowl.’
Hearing these words, the monk could not help smiling. He kindly and logically explained to his friend that God doesn’t need a bowl of goat’s milk. But the peasant so stubbornly insisted that he was right that the monk then suggested that the next night they secretly watch to see what happened after the bowl of milk was left under the palm tree.
No sooner said than done. When night fell, the monk and the peasant hid themselves some distance from the tree, and soon in the moonlight they saw how a little fox crept up to the bowl and lapped up all the milk till the bowl was empty.
‘Indeed!’ the peasant sighed disappointedly. ‘Now I can see that it wasn’t God!’
The monk tried to comfort the peasant and explained that God is a spirit, that God is something completely beyond our poor ability to comprehend in our world, and that people comprehend His presence each in their own unique way. But the peasant merely stood hanging his head sadly. Then he wept and went back home to his hovel.
The monk also went back to his cell, but when he got there he was amazed to see an angel blocking his path. Utterly terrified, the monk fell to his knew, but the angel said to him:
‘That simple fellow had neither education nor wisdom nor book-learning enough to be able to comprehend God otherwise. Then you with your wisdom and book learning took away what little he had! You will say that doubtless you reasoned correctly. But there’s one thing that you don’t know, oh learned man: God, seeing the sincerity and true heart of this good peasant, every night sent the little fox to that palm tree to comfort him and accept his sacrifice.’”
This story moves me to tears. How arrogant are we? We the educated, we of “normal” IQ. We have such arrogance. Such sin. God is for everyone, and He wishes to meet everyone on a level that they understand.
Yet we deem ourselves better. Better than the children, whose minds have not fully formed, Better than those with lesser IQs, or those who are disabled. We actually think that one who is “well-informed” and/or of “normal” or “unusually high” intelligence is best equipped to understand God and this earthly life. How foolish.
Does God create imperfect things? Certainly not. For that would imply that He makes mistakes, and we know He does not. So if He does not make mistakes…then those whose brains are not fully developed, or whose IQs are not “normal”…they are not imperfect in their natural state.
It is pride that keeps us from truly believing this, is it not? We want to believe that there is an earthly standard of perfection. But there isn’t. We forget that this is a fallen world, which means that we ourselves are not perfect.
Indeed, I find that the more educated a person, the more “intelligent”, myself included, commit greater sins. For is it not easier to believe in and experience God when you accept Him on His terms, and not on your own worldly ideas? But the more ideas you have, the more you want Him to fit into them. You want all of your earthly ideas to translate to God, and they don’t. They never will. God is meant to be a mystery, and knowledge, for all of its benefits, unchecked, begets arrogance. Because if you know how everything works then somehow you think that you know how things SHOULD work.
Children and those whose minds are simpler accept God on His terms. They make no grand attempts to understand; neither do they sin the way the rest of us do. Their hearts are purer, and thus, closer to God. And we know that God reveals Himself to those close to Him.
So why when a child or a person of lesser intelligence comes to us with stories of God’s work in their lives do we dismiss it? How often when we hear these stories do we smile tolerantly and nod, hoping to disguise what we are actually thinking? Is it because we think that if we ourselves, who are normal, have not experienced such things, then certainly they have not? It is wicked for us not to believe them whole heartedly. For not only is it arrogance that makes us think that God should certainly have manifest Himself to us if He has manifest Himself to them, but also for us to think that He hasn’t!
God is the only way part of this planet is still living today. Which means that every moment of every day He is manifesting Himself; and if another person has experienced Him more than we, then perhaps it is because they didn’t explain away every manifestation in earthly terms. God wants to see us believe, and He knows just exactly how much of Himself to give us, so as not to damage our salvation with either too much exposure, or too little.
So perhaps if we weren’t so busy pointing out all of the earthly reasons that something is happening, like explaining that a wild animal could be drinking the milk, we might remember that, not only couldn’t that little animal be alive at this moment to do such a thing without God, but without it being God’s will, it wouldn’t.
Why would God reveal Himself to us further, if we won’t even accept the first attempt? He will not give us solid food until we can stomach it.
I think the person who has seen much of God, explains away little.
Antiquing for Dummies by Ron Zoglin & Deborah Shouse
Report: 23 pages read in the hour.
Reflection: I think my favorite part of the reading section was what I’ve read so far of the Basic Decorating: Bringing the Past into Your Present chapter. It covered:
“Discovering what you like
Choosing your design style
Marrying old and new
Cross-training your antiques”
“Understanding how designers work”
There was tons of much needed advice that was greatly appreciated. I think I’ve mentioned before that I’m finding it difficult to settle on what to collect. I knew I wanted to buy antiques that I could live with, functionally, in my home (i.e. vases I could use, dining chairs, desks, beds, etc.) But I know that I don’t want every item in my house to be an antique (my current goal is to have one antique in a room). So where does one start? Here are some tips: “The first rule of decorating with antiques is to buy what you like. You need to create a mixture that makes you feel comfortable and at home.
Shelter for the Spirit by Victoria Moran (published by HarperCollins) is a great way to get in touch with your inner decorating self. Antiques at Home, by Barara Milo Ohrbach (published by Clarkson Potter), is a rich and fascinating guide to creating your own marvelous milieu.
The first part of incorporating antiques into your home is figuring out what look and feel you like. Here are some quick ways to find out:
Notice how you feel when you walk into a room filled with old things. Do you prefer being surrounded by history, or do you like just a splash of the past? What kinds of antiques make you feel comfortable and at home?
Look through some home decorating magazines and mark or tear out the rooms you like. Keep a folder with pictures you like. Or keep them in a photo album (the sticky kind). Collecting these pictures lets you spot common themes in your like and dislikes, and helps you hone your own style.
Focus on colors you like. If you despise green and look terrible in it, chances are you won’t be happy in that green upholstered Victorian love seat you’re thinking about. Of course, if you must have it, just add in the price of re-upholstering.
Size up the situation. If your rooms are small, you might gravitate toward smaller scale pieces. However, a piece that’s grand in size, color, or scale can always make a statement.
Think about your living style. Do you want comfort? Do you want elegance? Do you want antiques that are safe around curious children and frisky pets?
Designing between the lines
There’s an art to ‘designing between the lines.’ Horizontal lines are restful and inviting. Vertical lines give a feeling of majesty or dignity (such as a tall case or grandfather clock). Curved lines give you a feeling of growth and gracefulness. If a piece has been crudely painted, but it has great lines, it may still be a worthy piece of décor and a good buy even after you factor in the costs of stripping and refinishing.
You can take away the home-like feeling when you let one antique overpower a room. You want to design the setting so people notice and appreciate your things, but you don’t want the antiques to overwhelm or distract people.
Your design attitude: The tuxedo or the khaki
Symmetry gives you a formal look, and asymmetry makes things more casual. The way you place things affects the feel of your room.
Suppose that you want to display an antique clock and a couple of candlesticks. For a formal look, use symmetrical balance: the clock in the middle and a candlestick on each side. For a more casual look, create an uneven balance. Push the clock to the left and put both candlesticks on the right. Raise one of them a few inches with a block of marble or wood to carry the casualness one step further.
Pay attention to ornamentation. For example, if you have an ornate Victorian sideboard, heavy with intricate carvings, your other dining room pieces may be carved, but less ornately. Combining pieces this way gives you similar ornamentation, but still lets you play off and high-light the sideboard.
Use antiques to set the tone for the room or to dress up the room. An English antique chest and a well-placed piece of Meissen or Dresden porcelain can dress up a comfortable living room.
Think about the purpose of the room. For rooms where you want calm and relaxation, choose neutral colors and furniture with simple, clean lines. For lively rooms, choose brighter and diverse colors and objects that invite conversation.”
Very helpful, no?
The following chapter was about various kitchen and dining room antiquities. Among those discussed was the butcher block. The authors remarked that butcher blocks were made the thick and sturdy way that they are because they needed to withstand repeated punishment from the cleaver. They then said that that is where the phrase “Leave it to cleaver” comes from.
Now, I have never heard that phrase, but it put to mind the phrase, and title of the oh-so wonderful television show, “Leave it to Beaver”. Not only do these phrases bear a remarkable enough resemblance for one to call the other to mind, but their connection to each other only grows when we remember Beaver’s last name. Cleaver. Coincidence? I think not.
After this very fun realization I moved on to reading about The Windsor Chair. Apparently this is a chair that has seen not only indoors, as well as the out, but also virtually every the home of members from every level of society. It is very versatile, not only because of its structure, but also because of its varied aesthetic designs. Here are some that I find pleasing:
Do you know why pie safes were invented? I just found out! I knew that it was for storing pies, and if I asked I probably would have said that they were used for cooling them as well…but I didn’t know why. Why couldn’t it just sit on the sill? What happened to make that a bad idea? Well…the answer is rather obvious, but I never thought of it: “…long before screens and storm windows, pies could on window ledges where cats and birds and bugs could take a bite.” It’s so obvious it makes me laugh. Living in this modern world, we forget all of the little inconveniences that our ancestors suffered.
Another example is from the Victorian Era. It was a time when tea time was heavily observed, and when there was a unique utensil for EVERYTHING. So, did you know that they had a special tea time spoon for scooping bugs and leaves and things out that may have fallen into their tea cups? I didn’t, and it blows my mind that I never for a second (in this age of bug deterring candles and screened in porches) even thought about the impact that bugs and natural debris would have on afternoon tea in the garden.
Among their acutely use oriented objects, the Victorians had Chocolate Sets. They are like tea sets but for hot chocolate. I find that terribly refined and romantic. I’d love to have one someday.